Brett Harkness photography training — Harkness & Light

Harkness & Light

Photography training with Brett Harkness

Twenty-five years of weddings, portraits and editorial — lighting, storytelling and the business side, explained in plain English by someone still doing the job.

  • 1–1 days One photographer, one full day
  • Small groups A handful of people, hands on
  • Online sessions Screen to screen, wherever you are

Listen

Listen up.

Two episodes recorded with photographer Martin Cheung — grab a coffee and sit back.

How it started on cruise ships and ended up at luxury weddings, the off-camera flash work, and building a commercial side alongside it. Candid, and more useful than most gear talk.

  • 01

    From cruise ships to luxury weddings

    With Martin Cheung
    Listen
  • 02

    Brett Harkness returns — your wedding photography questions

    With Martin Cheung · out now
    Listen

Who we use

A little love to people we love

Not sponsors — the companies we actually pay, year after year.

01

Backblaze

Backs up every image we shoot. US-based, unlimited, and it just works.

Visit
02

Queensberry

Fifteen years of albums. Still the finest made anywhere, and the ones we put our name to.

Visit
03

Kaleidoscope

Our framers for over twenty years — frames, prints and everything that ends up on a wall.

Visit

Harkness & Light

1–1 Training

Online or In Person

1–1 & small groups

Sessions packed with lightbulb moments

A day on your photography rather than a syllabus. We work through lighting, composition and storytelling on your pictures and your sticking points — and the business side too, if that's what's actually holding you back.

Twenty-five years of doing this for a living, handed over straight: what works, what I got wrong, and how to apply it on Saturday when it counts. Expect to leave fired up and slightly impatient to go and shoot something.

  • 01LightingFlash and natural, on location and in a studio set-up — why a picture looks the way it does, and how to repeat it.
  • 02Composition & storytellingSeeing the frame before it happens, and building a set of pictures that hangs together as a story.
  • 03The business sidePricing, packaging and the work you choose to take — the part most photographers leave to chance.
“He takes a down to earth and fun approach to teaching… If you're thinking about booking a course or a one to one with him, just do it; it will take your skills, knowledge and photography to a completely different level.”
Louise · four workshops
“After a day of being amazed, confused, corrected and inspired, I was fired up to take away what I'd learnt and implement it into my own wedding work… My prices have increased and bookings have gone through the roof.”
Ben · wedding photographer

How it works

Three ways to do it

Same material, different shapes. If you're not sure which suits, say what you're struggling with and I'll tell you straight.

01

1–1 day

A full day, just you. We shoot, we review, and we go wherever your work needs the most attention.

  • One photographer
  • Shooting and reviewing
  • Follow-up questions afterwards
Enquire
02

Small group

A handful of photographers, models and lighting set up, and enough time for everyone to actually shoot rather than watch.

  • Hands on, not a lecture
  • Models and lighting provided
  • Dates announced by email
Enquire
03

Online 1–1

Screen to screen, wherever you are. Best for portfolio reviews, editing, pricing and the business questions.

  • Anywhere in the world
  • Portfolio and edit reviews
  • Recorded if you want it
Enquire
Bride and groom smiling while walking surrounded by guests, with confetti in the air and a bouquet of purple flowers.

Just starting out

Start here

It's easy to feel like you need all the gear and all the answers straight away. You don't. You need to know your camera inside out — and to keep shooting.

  1. 01
    Learn the camera Shoot in manual. Understand how light works. Don't rush the process — the more you shoot, the more confident you get.
  2. 02
    Practise everywhere Friends, family, natural light, tricky light, indoors, out. Every shoot builds your eye.
  3. 03
    People matter as much as technique How you make someone feel in front of the camera shows up in the pictures. Be present, be calm, be genuine — people feed off your energy.
  4. 04
    Don't chase a style It develops on its own. Focus on storytelling, strong composition and clean, honest edits. Join communities, assist, ask for feedback.

You're building something — not just a portfolio, but a way of seeing.

Kristie Harkness

Five things Kristie knows

The other half of Brett Harkness Photography. My wife and business partner for twenty-five years and counting — and the reason the business side works. Her people skills are second to none. Here's what she'd tell you.

  1. Build real relationships

    The wedding world runs on trust and word of mouth. Connect with planners, venues and other suppliers — not just to network, but to genuinely collaborate. The more people who enjoy working with you, the more your name gets passed around.

  2. Stay consistent

    Every email, call, post and gallery should reflect your brand. Couples want to feel they can rely on you — professionalism at every step makes all the difference.

  3. Keep your online presence fresh

    New weddings, behind-the-scenes moments, personal touches. Let couples see the energy and emotion that goes into what you do — not just the end results.

  4. Work with the right venues

    Focus on the ones that attract your kind of clients. Build great relationships with their teams, share images for their marketing, and always credit other suppliers. It keeps your work visible to the right audience.

  5. Create an unforgettable experience

    From the first chat to the album delivery, make couples feel special. Quick replies, calm energy on the day, thoughtful touches afterwards — it's what turns happy clients into your best source of new work.

These are the principles that built our business. They'll build yours too.

Three people posing together in front of a dark background, with similar long, straight hair, wearing black outfits. The person in the center stands while the two on either side lean slightly, creating a sense of closeness.

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